“Why did we all like him?” asked Joan. “Even Miss Lavery. There’s nothing extraordinary about him.” “Whether we accept the miraculous explanation of Christ’s birth,” continued Mr. Simson, in his best street-corner voice, “or whether, with the great French writer whose name for the moment escapes me, we regard Him merely as a man inspired, we must, I think, admit that His teaching has been of help: especially to the poor.”!

They were but children, these tired men and women, just released from their day’s toil, hastening homeward to their play, or to their evening tasks. A little humour, a little understanding, a recognition of the wonderful likeness of us all to one another underneath our outward coverings was all that was needed to break down the barrier, establish comradeship. She stood aside a moment to watch them streaming by. Keen, strong faces were among them, high, thoughtful brows, kind eyes; they must learn to think, to speak for themselves. “It’s her mental state that is the trouble,” was all that she would say. “She ought to be getting better. But she doesn’t.”

Joan laughed. “I’ve been feeling as if I were the King of Bavaria,” she said. “I know an old actress,” he continued. “She’s the mother of four. They are all on the stage and they’ve all made their mark. The youngest was born in her dressing-room, just after the curtain had fallen. She was playing the Nurse to your mother’s Juliet. She is still the best Nurse that I know. ‘Jack’s always worrying me to chuck it and devote myself to the children,’ she confided to me one evening, while she was waiting for her cue. ‘But, as I tell him, I’m more helpful to them being with them half the day alive than all the day dead.’ That’s an anecdote worth remembering, when your time comes. If God gives woman a drum he doesn’t mean man to take it away from her. She hasn’t got to be playing it for twenty-four hours a day. I’d like you to have seen your mother’s Cordelia.” “I think it is someone I know,” she said. “Won’t you help me?”